Unsurprisingly, Paul has little time for anyone who claims P-Square have diluted their sound. This willingness to combine West African styles with Western vibes has seen P-Square criticised in the past, with keyboard warriors often accusing them of selling out to appease an international audience. But our sound has evolved and we're pretty much able to adapt it to any particular sound we want to produce." Initially trying to achieve the right balance between electronic production and more traditional instruments, was extremely tricky. "The key producers are homegrown," says Paul Okoye, "Vtech, Meca E, Charles and ourselves. New album, Double Trouble, sees the brothers sticking to their A-game, employing a team of producers who can channel the high production values of Western R&B, whilst giving it that all-important Afrobeats lick. Their Rick Ross-assisted "Beautiful Onyinye" went down a storm in the summer of 2012, too. Deeper fans, however, will recognise last year's single, " Personally"-which came with a combination of fidgety synths and brittle claps that could've easily been pulled from a set of '07 UK funky bangers-as one of their finest yet, racking up over 31 million views on YouTube. In recent years, the formula has seen the brothers score one certified international hit, with the Akon co-signed " Chop My Money". Six albums deep, Nigerian twins Peter and Paul Okoye have become homegrown superstars, distilling the synthetic snap of American R&B with the kinetic kicks of European dance, then splicing in the constantly evolving local dance sounds of Lagos and Accra. In West Africa, P-Square are a phenomenon.
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